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Topic: [ANN][FRES] FRESCO - Blockchain Art Trust Distribution Network - page 11. (Read 4693 times)

newbie
Activity: 210
Merit: 0
How can I find out the results of the crowdfunding compaigh?
newbie
Activity: 266
Merit: 0
https://medium.com/fresco-network/fresco-welcomes-new-advisor-ho-jae-kim-4c0c0ec76e13
At the intersection of fine art and market promotion lies the key concepts of FRESCO. Kim believes that he will further bring audacious and innovative moves to FRESCO.

The final piece of “The Erased Rauschenberg” was newly completed and put on an online auction. In the current secondary market, the appreciation of an artwork’s price predominately benefits the collectors instead of artists. Artists are shared with no gains and usually left struggling to pay their studio rent or even buy necessary art supplies. “The Erased Rauschenberg” puts an uncompromising question mark to this historical chapter.
newbie
Activity: 266
Merit: 0
Afra Al Dhaheri received a BA in Graphic Design from Zayed University, Abu Dhabi, in 2011. In 2014 she completed the prestigious Sheikha Salama Emerging Artist Fellowship in collaboration with RISD. She is currently completing a MFA in Painting from Rhode Island School of Design. Afra’s work is shown nationally and internationally.
In her works, Al Dhaheri expresses herself in various mediums including mixed media, sculpture, drawing, painting, installation, photography, and printmaking.
Al Dhaheri was a part of “Emirati Expressions 2011 and 2015” and worked at the Guggenheim Museum New York and the Venice Biennale 2011. In 2014 she completed The Sheikha Salama Emerging Artists Yearlong Fellowship in collaboration with Rhode Island School of Design. In 2015 she joined Rhode Island School of Design Painting MFA program. Her First Solo show was hosted by T+H Gallery, Boston.
Her exposure to different art scenes influenced her to develop a pop up art collective project where she collaborates with other artists to develop a theme for a show to work within and then curate a show at spaces alternative to the traditional art venues: “ARTwec” project.
newbie
Activity: 266
Merit: 0
In addition to the commercial importance of the project, what do you see as social significance of Fresco?
FRESCO Foundation represents a new generation of forerunners that promote social innovation and education through the mediation of art and technology. Because we are trying to unite communities and institutions from different countries and cultures, this will allow us to improve our modern culture and education. And Fresco will give the general public access to invaluable resources.
newbie
Activity: 266
Merit: 0
We can get our fingers crossed for a revolution led by artists and collectors, yet people might still wonder how such projects differ from previous attempts, or more generically, what role blockchain technology plays in solving the problem when owners of art are already willing to contribute their data.
https://medium.com/fresco-network/the-glorious-revolution-in-the-art-world-83a5fa71bdf2
Crowd-funding is another way. Maecenas, “the decentralized art gallery,” attempts to approach the sensitive issues by envisioning fractional ownership for the art and thus propose an art investment “in the most transparent and efficient way.” Through this method, people have to passively give out their provenance and market prices since the record is in itself public.
Online auction and fractional transaction, however, are no news. That’s probably why FRESCO and Artolin probe into the more profound incentive behind and hope to wage a revolution against these immoral centralization and opaqueness.
Artolin, an online stock-exchange platform for art, based on “measuring artwork acceptance in the market.” In their system, the market acts as a fundamental drive in determining the value of art and promoting the work of the highest quality.
Instead of targeting at the generally acknowledged problems, FRESCO aims to “invigorate the change from the inside,” by creating a brand-new measurement system of art with a team including experienced artists, curators, and gallerists.
At the same time, FRESCO avoids associating the trust value with an explicit price tag. The FRES trust — an invented concept to demonstrate how much the market trusts the potential value of art — only shows the market acceptance while avoiding “going against the basic algorithm of the art industry.” FRES Trust encourages users to create an efficient and intuitive art ecosystem, where users have the incentive to engage and contribute, thereby generating a comprehensive system of digital provenance and solving other problems.
newbie
Activity: 238
Merit: 0
In addition to the commercial importance of the project, what do you see as social significance of Fresco?
newbie
Activity: 238
Merit: 0
Afra Al Dhaheri received a BA in Graphic Design from Zayed University, Abu Dhabi, in 2011. In 2014 she completed the prestigious Sheikha Salama Emerging Artist Fellowship in collaboration with RISD. She is currently completing a MFA in Painting from Rhode Island School of Design. Afra’s work is shown nationally and internationally.
In her works, Al Dhaheri expresses herself in various mediums including mixed media, sculpture, drawing, painting, installation, photography, and printmaking.
Al Dhaheri was a part of “Emirati Expressions 2011 and 2015” and worked at the Guggenheim Museum New York and the Venice Biennale 2011. In 2014 she completed The Sheikha Salama Emerging Artists Yearlong Fellowship in collaboration with Rhode Island School of Design. In 2015 she joined Rhode Island School of Design Painting MFA program. Her First Solo show was hosted by T+H Gallery, Boston.
newbie
Activity: 238
Merit: 0
https://medium.com/fresco-network/fresco-welcomes-new-advisor-ho-jae-kim-4c0c0ec76e13
Kim agreed to sell this signed Rauschenberg’s print to Nikolas Bentel, the artist of “The Erased Rauschenberg” project who currently works at the New Museum’s art and design Incubator, New Inc. Then, this piece of Rauschenberg was sold by advertising spaces and covered by bold brand tags or images, or whatever else the buyers supply.
https://cdn-images-1.medium.com/max/800/1*T2XHZ71nUUnY33A5vqUc0Q.jpeg
newbie
Activity: 238
Merit: 0
We can get our fingers crossed for a revolution led by artists and collectors, yet people might still wonder how such projects differ from previous attempts, or more generically, what role blockchain technology plays in solving the problem when owners of art are already willing to contribute their data.
https://medium.com/fresco-network/the-glorious-revolution-in-the-art-world-83a5fa71bdf2
Crowd-funding is another way. Maecenas, “the decentralized art gallery,” attempts to approach the sensitive issues by envisioning fractional ownership for the art and thus propose an art investment “in the most transparent and efficient way.” Through this method, people have to passively give out their provenance and market prices since the record is in itself public.
Online auction and fractional transaction, however, are no news. That’s probably why FRESCO and Artolin probe into the more profound incentive behind and hope to wage a revolution against these immoral centralization and opaqueness.
Artolin, an online stock-exchange platform for art, based on “measuring artwork acceptance in the market.” In their system, the market acts as a fundamental drive in determining the value of art and promoting the work of the highest quality.
Instead of targeting at the generally acknowledged problems, FRESCO aims to “invigorate the change from the inside,” by creating a brand-new measurement system of art with a team including experienced artists, curators, and gallerists.
newbie
Activity: 238
Merit: 0
I understand when informatization penetrates all spheres of life, the art field also does not want to stand aside and tries to introduce new technologies like blockchaine. But tell me, what was the factor that contributed to the creation of Fresco concept?
The idea of creating the Fresco foundation appeared in connection with the fact that in the art sphere there was a long-standing problem of non-transparency and non-marketability of the market, which is easy to manipulate. Fresco is a platform that will put the power of valuation into the hands of the entirety of the art community. The continuous effort of FRESCO Foundation members and partners will result in a more healthy art environment and encourage more activity and investment in the industry.
newbie
Activity: 294
Merit: 0
I understand when informatization penetrates all spheres of life, the art field also does not want to stand aside and tries to introduce new technologies like blockchaine. But tell me, what was the factor that contributed to the creation of Fresco concept?
newbie
Activity: 238
Merit: 0
“The Erased Rauschenberg” project continues this exploration, infuses into the work the modern frenzy of the banal mass culture of advertising, and aims to alter the undue weight on the artist side.
https://cdn-images-1.medium.com/max/800/1*Yif2kYG3B4Er6leTd4Tl6w.png
newbie
Activity: 238
Merit: 0
Afra Al Dhaheri received a BA in Graphic Design from Zayed University, Abu Dhabi, in 2011. In 2014 she completed the prestigious Sheikha Salama Emerging Artist Fellowship in collaboration with RISD. She is currently completing a MFA in Painting from Rhode Island School of Design. Afra’s work is shown nationally and internationally.
In her works, Al Dhaheri expresses herself in various mediums including mixed media, sculpture, drawing, painting, installation, photography, and printmaking.
newbie
Activity: 238
Merit: 0
We can get our fingers crossed for a revolution led by artists and collectors, yet people might still wonder how such projects differ from previous attempts, or more generically, what role blockchain technology plays in solving the problem when owners of art are already willing to contribute their data.
https://medium.com/fresco-network/the-glorious-revolution-in-the-art-world-83a5fa71bdf2
Crowd-funding is another way. Maecenas, “the decentralized art gallery,” attempts to approach the sensitive issues by envisioning fractional ownership for the art and thus propose an art investment “in the most transparent and efficient way.” Through this method, people have to passively give out their provenance and market prices since the record is in itself public.
Online auction and fractional transaction, however, are no news. That’s probably why FRESCO and Artolin probe into the more profound incentive behind and hope to wage a revolution against these immoral centralization and opaqueness.
Artolin, an online stock-exchange platform for art, based on “measuring artwork acceptance in the market.” In their system, the market acts as a fundamental drive in determining the value of art and promoting the work of the highest quality.
newbie
Activity: 238
Merit: 0
Your idea is very ambitious. Do you think that the system of evaluating Fresco in the future can become universally recognized?
The mission of the FRESCO Foundation is to create and support art ecosystem which will be the founder of a new era of open and fair art market. We believe that the concept of art trust value will be broadly recognized by both art professionals and the general public.
copper member
Activity: 112
Merit: 0
Your idea is very ambitious. Do you think that the system of evaluating Fresco in the future can become universally recognized?
newbie
Activity: 266
Merit: 0
In the original work of Erased de Kooning, Rauschenberg explored the definitions of art through his readymades. The traditional cumulation gave its way to an erasure process.
https://cdn-images-1.medium.com/max/800/1*vBbFfv3iH64s7JbPmtbSVw.jpeg
newbie
Activity: 266
Merit: 0
We can get our fingers crossed for a revolution led by artists and collectors, yet people might still wonder how such projects differ from previous attempts, or more generically, what role blockchain technology plays in solving the problem when owners of art are already willing to contribute their data.
https://medium.com/fresco-network/the-glorious-revolution-in-the-art-world-83a5fa71bdf2
Crowd-funding is another way. Maecenas, “the decentralized art gallery,” attempts to approach the sensitive issues by envisioning fractional ownership for the art and thus propose an art investment “in the most transparent and efficient way.” Through this method, people have to passively give out their provenance and market prices since the record is in itself public.
Online auction and fractional transaction, however, are no news. That’s probably why FRESCO and Artolin probe into the more profound incentive behind and hope to wage a revolution against these immoral centralization and opaqueness.
newbie
Activity: 266
Merit: 0
Afra Al Dhaheri received a BA in Graphic Design from Zayed University, Abu Dhabi, in 2011. In 2014 she completed the prestigious Sheikha Salama Emerging Artist Fellowship in collaboration with RISD. She is currently completing a MFA in Painting from Rhode Island School of Design. Afra’s work is shown nationally and internationally.
newbie
Activity: 266
Merit: 0
Why collectors, not just users and artists, will be profitable to join your network?
Helps for Fresco the collectors can create the collection of artworks what will demonstrate the power of their taste and build the great reputation. And if they are looking for the buyers for a particular piece from their collection is now able to promote the work by adding tangible weight to its value. As the transfer from FRES cash to FRES trust is irreversible, potential buyers are promised with a higher future value of the artwork and substantially more tokens into their account.
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